In many ways themselves restricted to the status of children, Victorian women were less inclined than the men of their time to idealize childhood--and the children's stories they wrote often tended to be darker and wilder than those of their male counter-parts. As the eleven brilliant stories collected here demonstrate, these fairy tales by Victorian women constitute a distinct literary tradition, one startlingly subversive of the society that fostered it. Collected for the first time in one volume, these fairy tales and fantasies are fascinating for more than their social and historical implications: They are extraordinary stories, full of strange delights for readers of any age. From Anne Thackeray Ritchie's adaptations of "The Sleeping Beauty in the Wood" and "Beauty and the Beast, " and Jean Ingelow's fantastic novel Mopsa the Fairy to Christina Rossetti's unsettling antifantasies in Speaking Likenesses, these are breathtaking acts of imaginative freedom, by turns amusing, charming, and disturbing. In collecting these works, two of our most distinguished Victorian scholars rescue authors such as Ritchie, Ingelow, Juliana Horatia Ewing, and Mary Louisa Molesworth from undeserved obscurity. At the same time, Auerbach and Knoepflmacher bring to the fore the power of the shorter prose fantasies of more familiar writers like Rossetti, Frances Hodgson Burnett, and E. Nesbit. Five introductory essays by Auerbach and Knoepflmacher place these stories within the fairy-tale tradition and the context of Victorian juvenile and adult fiction. Defining the tales in relation to the Victorian preoccupation with mythmaking, they identify the astringent social satire and literary mockery present ineach work. As entertaining as it is enlightening, this anthology ushers readers into a fantasy world of wit, perversity, and wonder.
Table of Contents:
Introduction
Part One: Refashioning Fairy Tales
The Sleeping Beauty in the Wood, Anne Thackeray Ritchie
Beauty and the Beast, Anne Thackeray Ritchie
The Brown Bull of Norrowa, Maria Louisa Molesworth
Amelia and the Dwarfs, Juliana Horathia Ewing
Part Two: Subversions
Nick, Christina Rossetti
Christmas Crackers, Julian Horathia Ewing
Behind the White Brick, Frances Hodgson Burnett
Melisande, or, Long and Short Division, E. Nesbit
Fortunatus Rex & Co., E. Nesbit
Part Three: A Fantasy Novel
Mopsa the Fairy, Jean Ingelow
Part Four: A Trio of Antifantasies
Speaking Likenesses, Christina Rossetti
Biographical Sketches
Further Readings
Forbidden Journeys is not only a darkly entertaining book to read for the fantasies and anti-fantasies told, but also is a significant contribution to nineteenth-century cultural history, and especially feminist studies.--
United Press International
A service to feminists, to Victorian Studies, to children's literature and to children.--Beverly Lyon Clark,
Women's Review of Books
These are stories to laugh over, cheer at, celebrate, and wince at. . . .
Forbidden Journeys is a welcome reminder that rebellion was still possible, and the editors' intelligent and fascinating commentary reveals ways in which these stories defied the Victorian patriarchy.--Allyson F. McGill,
Belles Lettres
Nina Auerbach (1943-2017) was the John Welsh Centennial Professor of English Emerita at the University of Pennsylvania. Though her area of academic concentration was in Victorian literature, she also ranged through cultural history, horror fiction, and film.
U.C. Knoepflmacher is professor of English at Princeton University.
0.94" H x 9.08" L x 6.01" W
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